This is a tough one because back home in Manchester, I had it sorted. I went to the same fella every time, and every time he asked me what I wanted, I said “the same as last time”.
I know what I like, I know what suits me and it works for me. I had built up years of chit-chat, TV talk, feedback on previous haircuts and regular updates on ‘The X Factor’. We knew each other.
So, when I got to Australia I had to start all over again. I tried numerous options and finally settled on a nice girl called Nicole who continues to cut my hair to this day. She gets to find out about my life and I get to tell her what I’m doing for the rest of my day. All while she cuts my hair just how I like it.
Which got me thinking. I’m a client.
Which also got me thinking, choosing a design agency is like choosing a hairdresser.
There’s a whole spectrum out there, and the one you choose depends on how much you value your brand – you.
For instance, there’s the Toni & Guy’s. You go in there because of the name and because they’re a ‘bit trendy’. You get to give a rough brief, but the hairdresser’s going to do what he likes anyway. It costs you a fortune.
You walk out looking pretty cool, but it doesn’t really suit your personality. You’re worried that it’s not appropriate to your job and everyone will laugh at you calling you a fashion victim.
On the flip side, you picked just the right place. You wanted to take a risk and it paid off. You wanted to put yourself in the hands of the experts – after all, what do you know about style?
You’ve seen makeover shows where they always look heaps better and you want a piece of that. Now you’re cool, you get invited to parties and are popular with the ladies. Good choice.
On the other end of the scale there’s the ‘$10 Cuts’ places. Cheap as chips and done in less than 20 minutes. You washed your hair only half an hour ago, so no need to do it again.
It’s a haircut and you’re not paying more than $10. You can get it done on the way to work. Your haircut isn’t your brand because you’ve got a great personality. It’s just like clipping your toenails – you’ve got to do it.
These are the Kinko’s of the world. You don’t really care about your logo so you can probably hang around while it’s being designed. It won’t have any impact on your brand how much you spend so might as well be cheap. Besides, you’re a plumber.
Crowd-sourcing also falls into this category. Dirt cheap and you get to pick your favorite haircut from a big book. Except this time, everyone of them is your face.
The problem with crowd-sourcing is that the designer never meets the client. The designer never gets an understanding of the client’s personality – what they do, who they are and what they stand for.
Neither does the designer have a discussion about what the solution should be nor discovers an insight that could only belong to that client.
And then there’s those who prefer to cut their own hair – the in-house designers. This is fine if all you do is shave your head and don’t mind looking like everyone else. But if you try to fashion your own haircut, it’s going to go wrong most of the time.
You’ll either really screw it up and end up looking like an idiot, or just produce something really mediocre. You’re too close to it and you don’t have the expert skills needed yourself.
Of course, if you’re a hairdresser yourself, you could probably do a decent job. And that’s why there are plenty of design studios and newspapers who do a pretty good job of designing in-house. Everyone else should at least get there mum to do it.
Or maybe, like me, you choose what most of us choose – a relationship. A place with a good reputation where you can go time and time again and get a great service.
Somebody you can trust and feel completely comfortable with. Someone who knows the way your hair grows and what best to do with it. Someone who understands your long term goals for your haircut beyond this appointment. And somebody who knows what will suit your face, personality, job and lifestyle.
After months of feedback, the haircut has been so fine tuned that you don’t even have to talk about it anymore, leaving you free to talk about your upcoming holiday.
A relationship means so much more than a transaction. The client gets something they can be proud of, and the hairdresser gets to produce something that actually adds value to the client’s world.
If both work in partnership, then the client can actually end up looking pretty good and with a smile on their face – rather than crying in front of the mirror.
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reader comments
As the title of one of my fav books goes "I've never mataphor I didn't like"...and this is the case with this post. Meeting your client face to face is a must. Pre-conceptions via phone call from a client can be so off the mark. We're all humen and we can make judgements by what we percieve to be the truth - the truth in our reality, which in fact is not actuality...there is a difference. I just landed a new client, like most of mine, they are just normal folk, tired of working for the man and feel they need to go out on their own, tell their story and be paid for it. My pre-conceived perceptions of this client was it would be a simple 1 page website - a no brainer - but after meeting the guy, it's developed into a nicely paying project with referrals and I made a new mate! Creating working relationships - hey, we're all just people and if you gel with the right agency or creative mob, then go for it. Trick is finding the buggers!
John Miles on 30-Mar-10 12:15 PM
Metaphors are usually a good way to get a point across. The danger is they fall prey to gross generalisations, as is the case with this post. I certainly do understand the points being made, but by using this particular metaphor clients (and designers, for that matter) are depicted as vain and insecure, looking for superficial popularity. This depiction doesn't do our profession, or our perception of clients, any favours. And it's hardly grounds for establishing a good relationship. In terms of 'relationships', this has certainly become the buzz word of late. However, our profession (and our entire human history) has always been based on relationships - good and bad ones. Haven't we always sought out relationships with people who understand us, either in our personal or professional lives? It would be a gross generalisation to say our profession is only now truly understanding the value and importance of good relationships. But if this generalisation were true, one wonders how our particular profession has managed to produce successful, inspirational and engaging work for the last 75 years or so, without having good relationships with clients.
KF on 25-Feb-10 10:06 AM
bob, that haircut detracts from his face that is why
moolah on 16-Feb-10 09:27 AM
Sounds great. Shame his haircut is shité.
bob on 15-Feb-10 02:17 PM
Are Kinko's gone? I am glad..when a place you stop going to goes broke.
Concerned on 15-Feb-10 01:48 PM
thank God for Chris and the rest of the design community that Kinkos are no longer around!
Theo @ Digitalpress on 15-Feb-10 01:09 PM
I agree with the power of creating relationships between a brand and a client. That is why Social Media and Permission Marketing are so important for a brand. In the words of Seth Godin : When thinking about social networking what matters is real relationships. “Networking is always important when it’s real and it’s always a useless distraction when it’s fake.”
Monica Ulibarri on 15-Feb-10 12:27 PM
Brilliant! Nothing like an apt metaphor to show the value of the right choice in creatives. Particluarly with the new trend towards churn and burn agencies
Riarn on 15-Feb-10 12:07 PM
tell a friend
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